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The wonder is that this record got made at all. Since the release
of My Favourite Part Of You,
which had actually been recorded two years ago, I'd lost much of
my impetus to do the rounds of various record companies to find
a backer for the next project. The songs kept coming, the desire
hadn't waned, fans and friends were as encouraging as ever. But
I'd been struggling with my health, fearing at one time that I would
never be able to perform again. The heart and the mind wished one
thing; the body another - rest.
And where to go? Favourable as the reception of My Favourite
Part Of You may have been, and proud all those who had been
involved in its making may have felt, I could not but wonder if
it was all worth it - until it became obvious that there could only
be one answer to that question - a big, resounding "yes".
As Ken and I started laying down the first demos of what would become
the present album, we could sense that this was not going to be
an "ordinary" album. There was something in these songs
- twenty at the time, of which eight will have to wait to see the
light of day - which demanded a radically different approach to
their treatment; there would be no symphony orchestra, not even
a string octet; no brass either. I'd have to devise arrangements
of a different kink, pick my colours from another box. though there
were rarely more than two people in Ken's studio at any given time,
we'd spend more time refining this collection of songs than at any
other time in my career. It should convey a greater sense of intimacy,
but "grandeur" too; it would be a different light that
bathed the record, one which what I'd written demanded. As I discovered
I could still be surprised by what I came up with, the urge to carry
on became stronger than ever.
But this was no solitary work, far from it. more people were involved
in the creation of The Wonder Of It All than on any of my previous
albums, starting with the fans who had enough belief in my music
to provide the financial backing necessary to its completion. Their
names appear on the CD sleeve, since this record is theirs as well
as mine. Others provided their talent in the studio, and their encouragement
from the sidelines, until, late one evening in mid-October, we switched
off the mixing desk for the last time.
It now strikes me as an evidence - Jonathan Coe may have (rightly)
said in the lyrics to the title track that "we live in an ocean
of choices, trying to swim as best we can"; but there is one
island in that ocean, which I'll always be drawn to, where there
is no choice, but an overwhelming sense of necessity. What flows
within must run its course. And there lies the greatest wonder of
them all.
Louis Philippe, October 2004
Featured Musicians: Louis Philippe
(voice, guitars, keyboards, melodica and percussion); Danny Manners
(bass & double bass, keyboards); Andy Lymn (drums & percussion);
Sean O'Hagan (Spanish guitar, banjo); David Longdon (flutes)
Production: Recorded and mixed by
Ken Brake at Regal Lane Studio, Regent's Park, London.
*The
Wonder Of It All can also be purchased at the following retailers:
United Kingdom
Rough Trade, 16 Neal’s Yard, Covent
Garden, London WC2H 9DP
tel : +44-(0)20 7240 0105
Rough Trade, 130 Talbot Road, Notting
Hill, London W11 1JA
tel: +44-(0)20 7229 8541
Japan
Bonjour Records, 24-1 Sarugakucho, Shibuya-ku,
Tokyo
tel: +81 (0)3 54 58 60 20
France
Exodisc, 70 rue Mont Cenis 75018 Paris
tel: +33-(0)1-42-23-39-40.
Ground Zero, 12, rue de Crussol 75011
Paris
tel/fax: +33-(0)1-43 55 32 76
Germany
Second Hand Records, Holzstr.21, 70173
Stuttgart
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